Finding the truth in filmmaking... Few films this year have generated the kind of quiet anticipation surrounding Burt (2026), the latest feature from filmmaker Joe Burke. Blending intimate character work with a striking visual style, the film explores memory, identity, and the fragile ways people hold onto the past. Since its premiere, Burt has sparked conversations for its emotional honesty, understated performances, and Burke’s confident direction — further cementing him as

One dark knight… Following last year’s adaptation of Joe Hill’s novel Abraham’s Boys , Natasha Kermani has continued to carve out a space for delving into psychological period pieces. With her latest film, The Dreadful , she continues to explore fear not as spectacle alone, but as something deeply embedded in identity, power, and perspective. Kermani’s work resists easy categorization — melding arthouse sensibilities with visceral suspense — and invites audiences to sit with

Here we go again… With their latest feature, Redux Redux , the McManus Brothers — filmmaking duo Kevin and Matthew — dive headfirst into a mind-bending multiverse tale where reality fractures after a vengeful mother is caught in a violent tight spot after her daughter is killed. Her answer: kill the multiple versions of the murderer. This is as cerebral and visceral experience layering high-concept science fiction with intimate human stakes as the brothers (with their sister