One dark knight… Following last year’s adaptation of Joe Hill’s novel Abraham’s Boys , Natasha Kermani has continued to carve out a space for delving into psychological period pieces. With her latest film, The Dreadful , she continues to explore fear not as spectacle alone, but as something deeply embedded in identity, power, and perspective. Kermani’s work resists easy categorization — melding arthouse sensibilities with visceral suspense — and invites audiences to sit with

Dark. Evil. Awake. In Chris Cronin’s 2019 short film “Oscar’s Bell”, a father and son’s camping trip turns into a foreboding nightmare. A...

Ghosts of the past The development of The Moor is as interesting as director Chris Cronin’s taste in cinema. Inspired as much by classic...